Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Wednesday, 27 December 2017

One poem at a time...

A Christmas Childhood

One side of the potato-pits was white with frost-
How wonderful that was, how wonderful!
And when we put our ears to the paling-post
The music that came out was magical.

The light between the ricks of hay and straw
Was a hole in heaven's gable. An apple tree
With its December-glinting fruit, we saw-
O you, Eve, were the world that tempted me. 

To eat the knowledge that grew in clay
And death the germ within it! Now and then
I can remember something of the gay
Garden that was childhood's. Again.

The tracks of cattle to a drinking- place, 
A green stone lying sideways in a ditch,
Or any common sight, the transfigured face
Of beauty that the world did not touch.

My father played the melodeon
Outside at our gate;
There were stars in the morning east
And they danced to his music.

Across the wild bogs his melodeon called
To Lennons and Callans. 
As I pulled on my trousers in a hurry
I knew some strange thing had happened. 

Outside in the cow-house my mother
Made the music of milking;
The light of her stable-lamp was a star
And the frost of Bethlehem made it twinkle.

A water-hen screeched in the bog, 
Mass-going feet
Crunched the wafer-ice on the pot-holes, 
Somebody wistfully twisted the bellows wheel.

My child poet picked out the letters
On the grey stone, 
In silver the wonder of a Christmas townland, 
The winking glitter of a frosty dawn. 

Cassiopeia was over
Cassidy's hanging hill, 
I looked and three whin bushes rode across
The horizon- the Three Wise Kings. 

And old man passing said:
' Can't he make it talk-
The melodeon.' I hid in the doorway
And tightened the belt of my box-pleated coat. 

I nicked sick nicks on the door-post
With my penknife's big blade-
there was a little one for cutting tobacco.
And I was six Christmases of age.

My father played the melodeon, 
My mother milked the cows, 
And I had a prayer like a white rose pinned
On the Virgin Mary's blouse. 

- Patrick Kavanagh

Tuesday, 7 November 2017

One last Autumn...

Autumn Journal

September has come and I wake
And I think with joy how whatever, now or in the future, 
the system
Nothing whatever can take
The people away, there will always be people
For friends or for lovers though perhaps
The conditions of love will be changed and its vices
diminished
And affection not lapse
To narrow possessiveness, jealousy founded on vanity. 
September has come, it is hers
Whose vitality leaps in the autumn, 
Whose nature prefers
Trees without leaves and a fire in the fireplace;
So I give her this month and the next
Though the whole of my years should be hers who has
rendered already
So many of its days intolerable or perplexed
But so many more so happy;
Who has left a scent on my life and left my walls
Dancing hair is twined in all my waterfalls
And all of London littered with remembered kisses. 
So I am glad
That life contains her with her moods and moments
More shifting and more transient than I had 
Yet thought of as being integral to beauty;
Whose mind is like the wind on a sea of wheat, 
Whose eyes are candour, 
And assurance in her feet
Like a homing pigeon never by doubt diverted. 
To whom I send my thanks
That the air has become shot silk, the streets are music, 
And that the ranks
Of men are ranks of men, no more of cyphers.
So that if now alone
I must pursue this life, it will not be only 
A drag from numbered stone to numbered stone
But a ladder of angels, river turning tidal. 
Off-hand, at times hysterical, abrupt, 
You are one I shall always remember, 
Whom cant can never corrupt
Not argument disinherit. 
Frivolous, always in a hurry, forgetting the address, 
Frowning too often, taking enormous notice
Of hats and backchat- how could I assess
The thing that makes you different?
You whom I remember glad or tired, 
Smiling in drink or scintillating anger, 
Inopportunely desired
On boats, on trains, on roads when walking. 
Sometimes untidy, often elegant, 
So easily hurt, so readily responsive, 
To whom a trifle could be an irritant 
Or could be balm and manna.
Whose words would tumble over each other and pelt
From pure excitement,
Whose fingers curl and melt
When you were friendly.
I shall remember you in bed with bright
Eyes or in a cafe stirring coffee
Abstractedly and on your plate the white
Smoking stub your lips had touched with crimson. 
And I shall remember how your words could hurt
Because they were so honest
And even your lies were able to assert
Integrity of purpose. 
And it is on the strength of knowing you
I reckon generous feeling more important 
Than the mere deliberating what to do 
When neither the pros nor cons affect the pulses. 
And though I have suffered from your special responses, 
I should be proud if I could evolve at length
An equal thrust and pattern. 

- Louis MacNeice

Friday, 31 March 2017

The Book Of Symbol 12...

IRIS

A low bridge zigzags through a stand of blue irises with fresh green stalks. On a golden Japanese screen, the irises are are perpetually alive, a vivid reminder of both springtime's renewal and absent love. In the painting, the artist alludes to an episode in the tenth-century litterary classics, the Tales of Ise. After a failed love affair, the story's hero, accompanied by a group of friends, leaves the capital for the east in order to start life anew. At a bridge that passes through blooming irises, they compose a poem about nostalgia, love and loss (ARAS, 1:367).

Irises and Zigzag Bridges, by Ogata Korin, painted 
screen, ca. 18th century, Japan.

The iris is a genus of about 300 species of flowering plants that for millennia have been prized for their daxxling colors. The number of the iris' stunning natural varieties has been augmented by the extensive use of selective breeding. The flower ranges in color from near black to blue and violet through vermilion, orange, yellow and white, and is often variegated with strongly contrasting hues (Westrich,17). It is this multicolor display of the iris that is responsible for its appellation. Iris, meaning "reainbow" in classical Greek, was the messenger of the Olympian gods. Her emblem was the rainbow of many colors, the bridge by which she traveled between heaven and earth with her divine messages. Analogously, the "iris" is what gives the eye its color.

Lusty mysterious, this iris reflects the deep 
reproductive patterns underlying romance and life.
Black Iris, by Georgia O'Keeffe, oil on canvas, 1926.
United States.

Striking not only for its colors, however, but also for its sensual nature, the iris has phallic, sword-shaped leaves surrounding distinctive blossoms consisting of three erect petals and three larger outer petallike sepals. The latter suggest, as in Georgia O'Keeffe's Black Iris, the form and enticement of the feminine genitalia, even if the artist denied that she had such imagery in mind (Wright, 65). While the flower of the iris is not noted for its scent, "essence of violet" perfume is made from orrisroot, derived from the varieties of iris that grow, not from a bulb, but a rhizome, a creeping underground stem (Enc.Brit. 6:384).

Medicinal properties accompany the sensual pleasures of iris. On an Egyptian hieroglyph of an iris carved in stone 3,500 years ago was a list of medicinal plants. The ancient Greeks documented the flower's internal and external uses (Westrich, 9, 12). Traditionally, Japancelebrates an Iris Festival in May, when the flower is publicly displayed and men and women wear bulbs and take baths in which irises have been floating, in order to insure good health and virility (ARAS, 1:367). The iris is also believed to protect against disease and evil spirits (Baird, 85).

The goddess Iris was a messenger of the gods, and 
traveled on a rainbow between Olympus and the earth.
Iris was honored by the planting of her flower on the 
gravees of women, since it was she who led their souls to 
the Elysian Fields (Lehner, 64). The Niobides Painter,
5th century B.C.E., Greece.

The diverse, exquisite hues of "iris," reflected in flower, rainbow and eye, correspond, in the alchemical fantasy, to the "peacock's tail," the brilliant omnes colores that represent the integration of all qualities in the Stone. Just as Iris heralded the approach of the gods, so, psychologically, the show of "many colors" heralds the transcendent self in which the many facets of the personality, once opposing each other, are brought into a unity (CW 14:388ff).

Baird, Merrily C. Symbols of Japan. NY, 2001.
Lehner, Ernst and Johanna Lehner. Folklore and 
Symbolism of Flowers, Plants and Trees. NY, 1960.
Westrich, Josh and Ben R. Hager. The Iris:
The Rainbow Flower. NY, 1989.
Wright, Susan. Georgia O'Keeffe: An Eternal Spirit.
NY, 2009.

~Bella

Monday, 6 June 2016

Poem...




Beginning - James Wright


The moon drops one or two feathers into the field.
The dark wheat listens. 
Be still.
Now.
There they are, the moon's young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine. 


~Bella

Wednesday, 1 June 2016

Just a song...

I didn't know what to write about, and my mind has been taken over a birthday present for my dear mother that I love! 

This morning, I was in the car listening to this song by Circa Waves, very indie, but intriguing... I'm in love with this song, and I've been addicted to it, it's a nonstop playing song!
Music has saved me from a lot of trouble I would have gotten into. I started playing piano at a young age, stopped after my parents' divorce, and even though I was one of the talented people, I haven't played in years. Music is art, it's a way to escape reality, to keep you from going down the rabbit hole. Everyone has their type of music, and every type contribute to a passage in your life, each song describes a bit of you... 





My love by Circa Waves

I know it's not enough 
To be with you
Clinging to the walls
You can see through

And you need to reel in your tongue
'Cause I know it's not enough
To stay young

And I'm giving up my love
My love to something else
And I'm giving up my love
My love to something else

And you are like the waves
You pull me
Underneath the days
Twisting 

And I need to reel in some air
'Cause I know it's not enough
To get there (to get there)

And I'm giving up my love
My love to something else
And I'm giving up my love
My love to something else

And I can't speak for anyone but myself
And I can't speak for anyone but myself

I know it's not enough
To be with you
Yeah I know it's not enough
To be with you, to be with you

And I'm giving up my love
My love to something else
Oh

My love
My love to something else
Oh, my love
My love to something else


" Music produces a kind of pleasure which human nature cannot do without." -Confucius

~Bella