The Book of Symbols 4...

Shell

From time immemorial, we have held conch shells to our ears to hear the surflike sound - the eternal tides of life that engrave their markings upon us. The human ear resembles a shell, gathering vibrations of air in its outer cavity called the "conch," and directing them through the winding passages of its shell-like inner ear as sound, symbolically evoking an interior listening. "He who has ears to hear let him hear," said Jesus of the hidden meaning of his parables. Images of the Buddha with elongated ears suggest that listening with the inner ear includes keeping silent, meditating on what has been said and opening ourselves to the resonance of the source. 

Shell-shaped and oversized, the ear of the Grand

Buddha suggests wise listening. Detail from a carved

cliff face, 713 C.E., Leshan, China

We have also raised the conch shell to our lips, trumpeting as gods of the sea might have, for the sound of the conch was said to lull the tumultuous waves of the sea.That the conch comes from the deep associates it with the underworld. The Mayan deity Quetzalcoatl mythically descends to Mictlan, the abode of the skeletons, as a dead conch that has fallen silent, so that worms may bore into him in order that he come to life again inside (Moctezuma, 138-9).

Figure, perhaps a deity, emerging from a shell,

showing whorls a growth. Effigy vase, painted

terra-cotta, Mayan, 600-800 C.E.

Shells are mysterious sea treasure, in beautiful shapes, sometimes symmetrical, often ridged and whorled, reflecting stages of growth. The recesses of a shell are reminiscent of the sacred spiral, labyrinth, and center. The intimation of marine life is also an allusion to the hidden life of our interior world, sometimes surfacing, leaving its evidence in consciousness, sometimes not. A shell is an exoskeleton serving to protect the vulnerable creature that dwells within. But shells are also delicate, easily broken, not the tough carapace of defensiveness. We speak of coming out of, or going into, one's "shell," suggesting a gradual, tenuous exposure to the world, or of retreat from it, in privacy, refuge or withdrawal.

As if incised by the waters of eternity- a stone conch 

shell. Aztec, ca. 1486-1502, Temple Mayor, Mexico.

The shape and depth of some shells, the lush pink of their coloring, brings to mind the female vulva, associating the shell with the allure and mystery of the feminine, and with incarnation and fertility. Aphrodite, the Greek goddess of love (to the Roman Venus), materializing out of the ocean's foam, is borne ashore on a seashell. In his celebrated painting, Odilon Redon depicts the open, vulva-shaped shell, its soft opalescence infusing the sky and the goddess lying, yet standing, asleep and yet waking, as in a vision. We adorn ourselves with shells, remembering the goddess and her beauty, her seductions. The shell and its evocation of the uterine salt-sea, the moon, tidal ebb, and flow imparts a sense of birth and rebirth; early Christian art made the empty shell an image of the soul's departure to immortality. 

The Birth of Venus, by Odilon Redon, oil on canvas,

ca. 1912, France. 

~Bella

Little note: I won't be able to post on Friday so I'm going to post tomorrow instead. Sorry about that, but you'll still get a post :)